[Anamorphosis] is a philosophy of false reality, or, more precisely, a poetics of alternative realities. An anamorphic image posits the coded presence of an almost unimaginable reality that momentarily obtrudes on ideologically constituted reality, thereby rendering it arbitrary, ontologically inconsistent [. . .] The effect of anamorphosis, philosophically speaking, is therefore that of extreme relativisation. Anamorphic perspective radically subjectifies the act of seeing, and so exposes the fact that linear perspective, dependent on the notion that there is one, motionless point from which the subject can adequately perceive the object, is far from objective. [. . .] It demonstrates that the dominant perception of reality is not natural but cultural; and this, potentially, is politically enabling, because it reveals that reality can be altered.

Matthew Beaumont “Anamorphic Estrangements of Science Fiction”

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